Monday, May 11, 2009

The French Baroque A-392

The current issue of Strings, June 2009, asserts in a small review of the Bach Brandenburg Concertos that the conductor on this recording chose to perform them “in the French Baroque pitch of A = 392 Hz....”

I have some reasons to doubt that A as a frequency of 392 Hz was commonly considered anything but A flat.

Elsewhere I've written how C-256 Hz was common in the time of Bach. I've made the case that this pitch reduces mathmatically to one cycle per second.

Taking that pitch and multiplying by 7 we get the seventh, B flat. Then multiplying again by 7 we get the seventh of B flat, A flat.

That’s 49 vibrations per second. Double that for the octave and you have a tone that is 98 Hz. Double that and it’s 196 Hz. A final doubling gives you 392 Hz.

In short, if middle C in the time of Bach was 256 Hz, then the tone produced by 392 Hz would be perceived as an A flat.
I have a slightly extended version of this discussion at the Music Lesson Plan blog.

Saturday, January 24, 2009

The Money Tunes in A-432

Currently my Big Project is preparing a 90 minute presentation of The Money Tunes. I will talk and play, talk and play at the Unitarian Universalist Church in Clearwater on Feb. 13.

I started this project about two and a half years ago. Right after attending the T. Harv Eker Millionaire Mind Intensive, I went through my fiddle tune collections. I was looking for tunes that had something to do with money in the title.

From American old time tunes and Irish jigs and reels I found many tunes that fit this criterion. I arranged them in an order of no money to a great fortune. The idea is to find out what lessons may be learned about money, as suggested by the titles and associate the lessons with the tunes. It’s a left brain/right brain idea.

In a few cases I altered the title to a more positive association with the issue. Thus, Boys My Money’s All Gone, which suggests a busted gambler, became Shopping Spree, where you have compensation for the lack of money.

About that tune, I have this confession. thirty years ago I started learning this tune as it appeared in the book, Beginning Old Time Fiddle. This collection of tunes is the only one I know that has both tab and standard music notation together.

I liked the tune, but dropped it. I was just too broke that week to think about it.
Now when I play it I think Shopping Spree. That feels better. And it really is a satisfying tune.

The experience of pursuing The Money Tunes project led to an increasing fusion of American and Irish fiddle styles. I found myself extending shorter tunes. I applied Texas changes to an Irish reel. An old time tune in A minor was transformed into a Bluegrass tune in D minor. That sort of thing.

Why did I do that? Grassapelli, my alter ego, said it was a good thing to do for this musical concept. (I’ll write about my relationship to the entity Grassapelli Gandharva at another time.)

One more thing about the money tunes. This is what got me into A-432 tuning. The Mozart A, or Verdi A, is set at 432 Hz. This pitch fits perfectly into the tuning of Middle C-256. That Middle C was discovered as standard in the time of Bach.

Presently there is a strong movement advocating this pitch as being a healing factor and more consistent with our natural state. You will find several MySpace musicians passionate about this tuning.

The Money Tunes
has been a major influence on me in recent years. And, it’s not completed yet. I’ll feel like it’s where it needs to be when real stuff that you can hold in your hand embodies every aspect of it.

Tuesday, January 06, 2009

A-432 Movement is Growing

At some point I'll compile a list of sites that are exploring and advocating the Mozart or Verdi A-432. Several are offering music in this tuning on MySpace.

One of the sites that looks very interesting is Harmonic Renaissance. "Bring Back A432," they ask. I'm in favor of that.

Tonight the Crystal Beach String Band is gathering for its first practice since November. We play in that tuning. We sing in that tuning. It is good!

If you haven't heard some of my original fiddle tunes in A-432 on YouTube, click that link.

And, last minute, here's another: 432hz.net for Natural Tuning Consciousness.

Elan

Thursday, August 14, 2008

Playing in Bands

After the crumbling dissolution of my former band, FiddleMatrix, I paused.

There is a saying: When one door closes, go and stand next to it waiting for opportunity to knock. At the right time, something new will show up.

For me the new was the Crystal Beach String Band. After just one rehearsal I did a gig with them at the Witchs' Brew in Palm Harbor.

We have continued working together and the band is now playing in the tuning of A-432!

It feels very good to create music with them in this natural tonality.

The next new thing was Gypsy Star. This is all original music by Billy Kean. We will do our first public performances later this month. The band is a reformulation of his previous band of the same name.

The band broke up under a combination of Billy's dissatisfaction with the sound and some soap opera thrown in for good measure.

This band is not in A-432 yet. Still the music is fun. Like Jessie Cook and Loreena McKennitt.

Friday, June 20, 2008

Finding Luanne Oakes

Many times in writing about the Mozart A-432, I refer to Dr. Luanne Oakes. Finding her online is not as intuitive as it could be.

She use to have her own web site, but now, apparently, does not. While it was up I got a terrific CD, Jade Wu Life Force.

I use it as ambient sound, to raise my mood. Also, it is a good CD for breathwork.
It is not the best intro to her work, though. For that I recommend Spiritual Alchemy.

That was my get acquainted with A-432 album from Nightingale-Conant.
It has extensive discussion of the matter as a healing frequency, lots of stories, much insight into self-healing and self-actualization.

It also includes individual sound-scapes that balance and strengthen each chakra in the body. My experience with these sound-scapes convinced me of the efficacy of A-432.

Below is a hint of what it is:
Spiritual Alchemy

Saturday, June 14, 2008

A-432 Keeps Growing Converts

A while back I thought I was done. I was wrong.

Interest in the Mozart A-432 is growing. I'm starting to compile a list of web sites that discuss the matter. If you know of one, clue me in.

As a search term, I'm also using C-256. That's middle C. It's completely compatible with A-432.

Over the time that I've been using this tuning for my daily practice, I have gradually increased the time I put in without feeling any additional stress.

Also, the fiddle I've been using continues to get a richer and richer sound. It isn't a quality violin by any means. I think it was a student violin that a craftsman re-graduated to improve the tone.

I used it last night at a gig at the Tampa Club. It was a small gathering with a "bayou" theme. The fiddler makes it a party.

Several times the group put down their eating utensils to give applause. There were several moments when I was so impressed by the sounds coming from the violin, I thought I reached a new level of artistry.

I owe a lot to the A-432 tuning.

Saturday, November 03, 2007

Moving to Fusion Fiddle

Convergence was a big word not long ago. Now I'm doing it too.

Look for any further comment about A-432 in my other Blogger blog:
Fusion Fiddle.

Hear a current example of A-432 tuning on SnapVine:
Squirrel Jump.